Oxford's teachhing methods of english language
|Level: |Elementary (or as a review at higher levels) |
|Time: |45 minutes |
|Materials:|One dictionary per two students |
Preparation
On the board write the following:
Abcdifghijklmnopqrstuvwxyz
It’s got more letters than…
It’s got fewer letters than…
It’s the same length as….
It’s earlier in the dictionary than…
It’s later in the dictionary than…
It’s further on…
Back a bit.
The first letter’s right
The first two/three/four letters are right
(or you could dictate this to the students if you want a quiet settling in
period at the start of the class)
In class
1. Explain to the students that you’re going out of the room for a short
time and they’re to select one word for you to guess when you come back.
They find the word in their dictionaries.
2. Go back in and have a first wild guess at the class’s word. The students
should tell you whether their word is longer, shorter or the same length
as your guess and whether it’s earlier or later in the dictionary. Here
is an example (teachers can correct pronunciation as they go along ):
|teacher: |Middle |
|students: |It’s shorter. And it’s later in the dictionary. |
|teacher: |Train. |
|students: |It’s Earlier. It’s Got The Same Number Of Letters. |
|teacher: |Plane. |
|students: |It’s Later. |
|teacher: |Rains. |
|students: |It’s Later. It’s Got The Same Number Of Letters. |
|teacher: |Seat. |
|students: |It’s Longer.The First Letter Is Right. It’s Later In |
| |The Dictionary. |
|teacher: |Stops. |
|students: |It’s Earlier. |
|teacher: |Skirt. |
|students: |It’s Later |
|teacher: |Spend. |
|students: |The First Two Letters Are Right. It’s Later. |
|teacher: |Spine. |
|students: |It’s Later. |
|teacher: |Spore. |
|students: |The First Four Letters Are Right. You’re Really Warm |
| |Now. It’s A Bit Further On. |
|teacher: |Sport. |
|students: |Yes. |
3. You can write the words you guess and notes of the students’ answers on
the board as you go along, to help you to remember where you are. At the
beginning, you can prompt the students by asking questions such as ‘Is it
shorter, longer or the same length as my word? Is it earlier or later in
the dictionary?’ etc.
4. When the students have got the idea of the game, reverse the process;
you think of a word (one from a recent lesson works well) and students
guess. You give them information as to length, place in dictionary and
any letters they’ve guessed right.
5. Now hand over the exercise to the students. They should scan their
notes, textbooks and /or minds (but not dictionaries) and create a short
wordlist. Then in pairs or small groups they can repeat the activity.
Rationale
This is a good game for teaching scan reading and alphabetical order when
using dictionaries. The revision or introduction of the grammatical
structures in a meaningful context is disguised since the students usually
see this is vocabulary game. Because it has a pretty tight structure and
build-up, it’s a good exercise for establishing the principle of
group/pairwork with a class that does not take readily to working in
different formats.
Note
With some classes we have asked the students to analyze their own guessing
processes. Some students have written interesting short compositions on the
best guessing strategies.
Eyes
|Grammar: |‘Second’ conditional |
|Level: |Lower to upper intermediate |
|Time: |30-45 minutes |
|Materials:|None |
In class
1. Ask a student to draw a head in profile on the board. Ask the student to
add eyes in the back of his head.
2. Give the students this sentence beginning on the board and ask them to
complete it using a grammar suggested:
If people had eyes in the back of their heads, then they …
would/might/could/would have to … (+ infinitive)
For example:
‘If people had eyes on the back of their heads they could read two
books at once’ (so two pairs of eyes).
3. Tell the students to write the above sentence stem at the top of their
paper and then complete it with fifteen separate ideas. Encourage the use
of dictionaries. Help students all you can with vocabulary and go round
checking and correcting.
4. Once students have all written a good number of sentences (at least ten)
ask them to form teams of four. In the fours they read each other’s
sentences and pick the four most interesting ones.
5. Each team puts their four best sentences on the board.
6. The students come up to the board and tick the two sentences they find
the most interesting. The team that gets the most ticks wins.
Note
Students come up with a good range of social, medical and other hypotheses.
Here are some examples:
… then they would not need driving mirrors.
… they would make really good traffic wardens.
… then you could kiss someone while looking away!
Umbrella
|Grammar: |Modals and present simple |
|Level: |Elementary to intermediate |
|Time: |30-40 minutes |
|Materials:|One large sheet of paper per student |
In class
1. Ask a student to draw a picture on the board of a person holding an
umbrella. The umbrella looks like this.
2. Explain to the class that this ‘tulip-like’ umbrella design is a new,
experimental one.
3. Ask the students to work in small groups and brainstorm all the
advantages and disadvantages of a new design. Ask them to use these
sentence stems:
It/you can/can’t…
It/you + present simple…
It/you will/won’t…
It/you may/may not…
4. For example: ‘It is easy to control in a high wind’, ‘You can see where
you’re going with this umbrella’
5. Give the students large sheets of paper and ask them to list the
advantages and disadvantages in two columns.
6. Ask the students to move around the room and read each other’s papers.
Individually they mark each idea as ‘good’, ‘bad’ or ‘intriguing’.
7. Ask the student how many advantages they came up with and how many
disadvantages. Ask the students to divide up into three groups according
to which statement applies to them:
I thought mainly of advantages.
I thought of some of both.
I thought mainly of disadvantages.
8. Ask the three groups to come up with five to ten adjectives to describe
their group state of mind and put these up n the board.
9. Round off the exercise by telling the class that when de Bono asked
different groups of people to do this kind of exercise, it turned out
that primary school children mostly saw advantages, business people had
plenty of both while groups of teachers were the most negative.
Note
Advantages the students offered:
In a hot country you can collect rain water.
It won’t drip round the edges.
You can use it for carrying shopping.
It’s not dangerous in a crowd.
It’s an optimistic umbrella.
It’s easy to hold if two people are walking together.
With this umbrella you’ll look special.
It’ll take less floor space to dry.
This umbrella makes people communicate. They can see each other.
You can paint this umbrella to look like a flower.
You’ll get a free supply of ice if it hails.
Presentation
Listening to time
|Grammar: |Time phrases |
|Level: |Upper intermediate to very advanced |
|Time: |40-50 minutes |
|Materials |None |
Preparation
Invite a native speaker to your class, preferably not a language teacher as
they sometimes distort their speech. Ask the person to speak about a topic
that has them move through time. This could be his country history. The
talk should last around twenty minutes. Explain to the speaker that the
students will be paying close attention not only to the content but to the
language form, too.
In class
1. Before the speaker arrives, explain to the students that they are to jot
down all the words and phrases they hear that express time. They don't
need to note all the words!
2. Welcome the speaker and introduce the topic.
3. The speaker takes the floor for fifteen to twenty minutes and you join
the students in taking language notes. If there are questions from the
students, make sure people continue to take notes during the questioning.
4. Put the students in threes to compare their time-phrase notes. Suggest
the speaker joins one of the groups. Some natives are delighted to look
in a ‘speech mirror’.
5. Share your own notes with the class. Round off the lesson by picking out
other useful and normal bits of language the speaker used that are not
yet part of your student’s idiolects.
Example
One speaker mentioned above produced these time words: only about ten
years/there was a gap of nine years/ at roughly the same time/over the
next few hundred years/from 1910 until the present day/it’s been way back/
within eighteen month there will be/until three years ago/when I was back
in September
Variations
Choose the speaker who is about to go off on an important trip. In speaking
about this, some of the verbs used will be in a variety of forms used to
talk about the future.
Invite someone to speak about the life and habits of someone significant to
them, but two lives separately from them, say a grandparent. This topic is
likely to evoke a rich mixture of present simple, present continuos, will
used to describe habitual events, ‘ll be –ing etc.
Note
To invite the learners to pick specific grammar features out of a stream of
live speech is a powerful form of grammar presentation. In this technique
the students ‘present’ the grammar to themselves. They go through a process
of realization which is lot stronger than what often happens in their minds
during the type of ‘grammar presentation’ required of trainees on many
teacher training courses. During the realization process, they are usually
not asleep.
Guess my grammar
|Grammar: |Varied+question form |
|Level: |Elementary to intermediate |
|Time: |55 minutes |
|Materials |None |
In class
1. Choose a grammar area the students need to review. In the example below
there are adjectives, adverbs and relative pronouns.
2. Ask each student to work alone and write a sentence of 12-16 words (the
exact length is not too important). Each sentence should contain an
adjective, and adverb and a relative pronoun, or whatever grammar you’ve
chosen to practise. For example: ‘She sat quietly by the golden river
that stretched to the sea’.
3. Now ask the students to rewrite their sentences on a separate piece of
paper, leaving in the target grammar and any punctuation, but leaving the
rest as blanks, one dash for each letter. The sentence above would look
like this:
--- --- quietly -- --- golden ----- that --------- -- --- ---.
While they are doing this ask any students who are not sure of the
correctness of their sentence to check with you.
4. Now ask the students to draw a picture or pictures which illustrate as
much of the meaning of the sentence as possible.
5. As students finish drawing, put them into groups of three. One person
shows the blanked sentence and the drawing, reserving their original
sentence for their own reference. The other should guess: ‘ Is the first
word the?’ or ask questions ‘Is the second word a verb?’ etc. The student
should only answer ‘yes’ or ‘no’. As they guess the words, they fill in
the blanks.
6. They continue until all the blanks are filled and then they do the other
two person’s sentences.
Note
Groups tend to finish this activity at widely different speeds. If a couple
of groups finish early, pair them across the groups, ask them to rub out
the completed blanked out sentences and try them on a new partner.
Acknowledgement
Ian Jasper originated this exercise. He’s a co-author of Teacher
Development: One group’s experience, edited by Janie Rees Miller.
Puzzle stories
|Grammar: |Simple present and simple past interrogative forms |
|Level: |Beginners |
|Time: |30 minutes |
|Materials:|Puzzle story (to be written on the board) |
Preparation
Ask a couple of students from an advanced class to come to your beginners
group. Explain that they will have some interesting interpreting to do.
In class
1. Introduce the interpreters to your class and welcome them.
2. Write this puzzle story on the board in English. Leave good spaces
between the lines :
There were three people in the room.
A man spoke.
There was a short pause.
The second man spoke.
The woman jumped up and slapped the first man in the face.
3. Ask one of the beginners to come to the board and underline the words
they know. Ask others to come and underline the ones they know. Tell the
group the words none of them know. Ask one of the interpreters to write a
translation into mother tongue. The translation should come under the
respective line of English.
4. Tell the students their task is to find out why the woman slapped the
first man. They are to ask questions that you can answer ‘yes’ or ‘no’.
Tell them they can try and make questions directly in English, or they
can call the interpreter and ask the questions in their mother tongue.
The interpreter will whisper the English in their ear and they then ask
you in English.
5. Erase the mother tongue translation of the story from the board.
6. One of the interpreters moves round the room interpreting questions
while the other stays at the board and writes up the questions in both
English and mother tongue.
7. You should aim to let the class ask about 15-25 questions, more will
overload them linguistically. To speed the process up you should give
them clues.
8. Finally, have the students copy all the questions written on the board
into their books. You now have a presentation of the main interrogative
forms of the simple present and past.
9. After the lesson go through any problems the interpreters had-offer them
plenty of parallel translation.
The solution
The second man was an interpreter.
Further material
Do you know the one about the seven-year-old who went to the baker’s? His
Mum had told him to get three loaves. He went in, bought two and came home.
He put them on the kitchen table. He ran back to the backer’s and bought a
third. He rushed in and put the third one on the kitchen table. The
question: Why? Solution: he had a speech defect and couldn’t say ‘th’.
Word order dictation
|Grammar: |Word order at sentence level |
| |The grammar you decide to input in this example: |
| |reflexive phrases, e.g. to myself/by myself/in myself |
|Level: |Intermediate |
|Time: |20-30 minutes |
|Materials|Jumbled extracts (for dictation) One copy of Extract |
|: |from Sarah’s letter per pair of students |
In class
1. Pair the students and ask one person in each pair to prepare to write on
a loose sheet of paper.
2. Dictate the first sentence from the Jumbled extracts. One person in each
pair takes it down.
3. Ask the pairs to rewrite the jumbled words into a meaningful sentence,
using all the words and putting in necessary punctuation.
4. Tell the pairs to pass their papers to the right. The pairs receiving
their neighbours’ sentences check out grammar and spelling, correcting
where necessary.
5. Dictate the second jumbled sentence.
6. Repeat steps 3 and 4.
7. When you’ve dictated all the sentences this way give out the original,
unjumbled Extract from Sarah’s letter and ask the students to compare
with the sentences they’ve got in front of them. They may sometimes have
created excellent, viable alternative sentences.
Jumbled extracts
1. Myself in absorbed more and more becoming am I find I
2. When mix I do other people me inside a confusion have I I find
3. David John and Nick as though I am me I do not feel when I walk through
the park with
4. Strange seems it and a role acting am I like feel I
5. Walk park myself talk aloud myself to I by the through I when
6. Completely feel content I
Extract from Sarah’s letter
I find I am becoming more and more absorbed in myself.
When I do mix with other people I find I have a confusion inside me.
When I walk through the park with David, John and Nick, I do not feel as
though I am me.
I feel like I am acting a role and it seems strange.
When I walk through the park by myself I talk aloud to myself.
I feel completely content.
Grammar lessons Taking notes
Passive voice
During the lecture ask the students to note cases when we use passive:
1. In more formal contexts than active sentences.
For example: Your attention is drawn to Paragraph 6. (But note that
using got, usually makes the sentence less formal, for example: We got
beaten.They got married.)
2. when the agent is not clear.
For example: Their office was burgled.
3. or not important
For example: This cake was made from carrots.
4. or obvious
For example: They were all arrested.
5. to give emphasis to the passive subject and add weight to the message.
For example: A state of emergency has been declared.
6. to make our message more impersonal.
For example, as in a letter saying: No police action will be taken.
Read the following newspaper article and ask the students to:
. note down the six verbs that are in the passive
. suggest a possible reason for the use of the passive in this article.
|ORCHESTRA'S SCHOOLS BOOST |
|Schools and community groups will be the winners if the |
|world famous Philharmonia comes to town. |
|Negotiations are still under way to make Bedford the |
|orchestra's first British residency outside London |
|beginning in 1995, it has been confirmed. |
|What is being talked about is a strong educational |
|emphasis on the deal, which would see members of the |
|orchestra travelling into the community doing workshops |
|with school and other local groups in the borough. School|
|children will be invited in to the Corn Exchange for |
|afternoon rehearsals of the main concerts to be staged. |
|Massive alterations to the Corn Exchange are being |
|planned in tandem so that the orchestra, which was formed|
|in 1945, and the audiences watching them, will enjoy |
|superior back and frontstage facilities including new |
|sloped seating going from the stage to the present |
|balcony and a new auditorium. |
Comment
1. The six verbs in the passive are:
1. it has been confirmed
2. What is being talked about
3. School children will be invited
4. the main concerts to be staged
5. Massive alterations to the Corn Exchange are being planned
6. which was formed.
(Notice that there are five different forms of the verb be in these
sentences.)
2. The reason for so much use of the passive here could be that the events
which have occurred and those which are planned are more important than the
people behind them. It is also an informative article in a newspaper so
that some formality is more appropriate than it would be in a friendly
letter or in conversation.
Context and meaning
Lecture We'll turn now from context and grammar to the importance of
context for meaning. One aspect of meaning is the extent of meaning that a
word has. Imagine you are asked the meaning of the word chair. What do you
say? 'It's something you sit on', perhaps.What we need to know are the
boundaries of its use. Can you say chair for what you sit on in a train? In
a car? When milking? On a bike? In church? Suddenly all sorts of judgements
have to be made about whether you are going to introduce related words like
bench, stool, pew, seat, armchair.
So a simple question about a simple object leads into questions about its
use, and also what it must look like. Must a chair have a back? Legs? Arms?
This is important because although you may be able to translate chair, its
full range of meaning will never overlap 100% with its equivalent in
another language.
Now close your eyes and think white. If that's all I say, you are likely to
think of the colour white, perhaps on a wall or a shirt or paper. But if I
say white wine, you'll think of a yellow colour, or white people, a pinkish
colour, or a white lie, no colour at all. Clearly then, the meaning of
words often depends on the context.
| |
|In what different contexts could the speaker encountere |
|these words? See if you can find at least two different |
|contexts for each. |
|wings right-winger |
|term rate |
|bar |
Comment
Some of the possible contexts for these words are:
wings: theatre, bird or car
right-winger: football or politics
term: language, school or maths
rate: currency exchange, tax on housing, or speed of increase/decrease
bar: law, music or drinking.
You have just been thinking about different areas of meaning for the same
word. Sometimes these different areas depend on shared cultural assumptions
and usage. An example of this is a British Rail poster advertising their
Family Railcard, depicting a jungle with some monkeys playing in the trees.
The text under this poster reads:
|Grown-ups get 25% off rail fares. Your |
|little monkeys go for only £1.00. |
|Don't drag your feet (or your knuckles). A|
|family Railcard only costs 20 for a year |
|swing by and pick up a leaflet from any |
|main British Rail Station. |
Note different meanings of the words used here and their sense.
Comment
You would first need to establish that the usual meaning of all the words
was understood and then explain that monkeys can be used to refer to
children in English, that it carries the idea of naughtiness but that it's
used affectionately. To explain knuckles, you would have to refer to (or
demonstrate) how monkeys move, using their knuckles, and explain that
knuckles is substituting for the word feet in the phrase 'drag your feet'.
You would need to take the same approach to 'swing by'. It might be wise to
point out that the use of this sort of language can change quite quickly
and could become unfashionable in, say, ten years' time.
| |
|2. AAn advertisement for Remy Martin Champagne Cognac uses|
|three sentences suggesting that the consumers of the |
|product are very special. I have changed one word in each |
|to produce unusual collocations. Identify the word and |
|replace it with a word that collocates better. Ask another|
|person and see if they agree with you. |
|HAVE YOU EVER CREWED A YACHT BEYOND THE VISION OF LAND? |
|HAVE YOU EVER THROWN A BARBECUE THAT FRIENDS STILL TALK |
|ABOUT? |
|HAVE YOU EVER RECEIVED STANDING APPLAUSE? |
Comment
2. You should have suggested:
1. vision: sight (vision doesn't collocate with land)
2. barbecue: party (barbecue doesn't collocate with throw)
3. applause: a (standing) ovation (applause doesn't collocate with
standing)
(Note that we need to add the indefinite article a, because ovation is a
count noun whereas applause is not.)
Bottom of Form 1
Subject matter lessons Taking notes
V The learners are watching a recorded university lecture on acid rain.
They are taking notes and will write a summary of the content, using
dictionaries (bilingual and monolingual as appropriate). Earlier the
teacher had elicited from them some of the key words used in the
lecture, their meaning and usage, and listed them on the board.
V Small groups of learners are trying to match some cut-out newspaper
headlines with the relevant articles. The teacher is going round
monitoring each group. Earlier they listened to, discussed and noted
some news items on the radio which introduced some of the vocabulary
they are encountering.
V Individual learners are scattered about outside the classroom asking
people pre-prepared questions about their opinions on a new sports
centre that is proposed in the area. They are talking in the
interviewees' mother tongue, and will then report their findings to the
rest of the class in English with the rest of the students taking notes
on the matter they present.
V Half the class are reading about the early life of a writer they have
chosen to study. The other half are reading about the same writer's
later life. They make notes of what they had learnt about unknown part
of writer’s life.In pairs they'll tell each other what they have found
out and then they'll each write an obituary.
V In small groups, the learners are looking at examples of different types
of text. Their aim is to identify what they are and note any differences
in style, formality, length, print-size, comprehensibility, grammar
patterns, etc. The examples include: a recipe, a newspaper article,
computer instructions, diary entries, an extract from a novel, a letter
to some English friends.
Conclusion
Each of the two methods has its own advantages and disadvantages and their
aims are quite different, that’s why I included them both in this single
work. Games help students to relax, entertain and encourage them and help
to develop their communicative competence, while note-taking is a very
serious work demanding an amount of concentration and developing and
writing practice. Both of them are to be used in a write time and in a
write place. For some students games are a bit unserious while the other
part of students may find note-taking too fatiguing so the teacher must
take into account all these points. All in all with all these spots to
think over I find them necessary in teacher’s work. While some of the
methods are let be omitted by the teacher (like silent way, synthetic or
analytic (every teacher choose his own way to work with students)) the two
of these in my opinion must be included in the learning process. They act
like general concepts giving you a full lenth of technics to apply within
one method. They don’t give strict directions of how to apply them but a
wide space for creative work.
References
French Allen, V. 1983. Techniques in teaching vocabulary. Oxford: Oxford
University Press.
Gear, J. and R. Gear. 1988. Incongruous visuals for the EFL classroom.
English Teaching Forum, 26, 2. pp.43.
Vocabulary picture puzzle. English Teaching Forum, 23, 4, pp. 41-42.
Gulland, D. M. and D. Hinds-Howell. 1986. The penguin dictionary of English
idioms. London: Penguin Books Ltd.
Haycraft, J. 1978. An introduction to English language teaching. Harlow:
Longman.
Hubbard, P., H. Jones, B. Thornton, and R. Wheeler. 1983. A training course
for TEFL. Oxford: Oxford University Press.
Lee, W. R. 1979. Language teaching games and contests. Oxford: Oxford
University Press.
Rixon, S. 1981. How to use games in language teaching. London: Macmillan
Publishers Ltd.
Mario Rinvolucri and Paul Davis.1992. More grammar games. Cambridge
University Press.
Abbott, G., D. McKeating, J. Greenwood, and P. Wingard. 1981. The teaching
of English as an international language. A practical guide. London:
Collins.
Raimes, A. 1983. Techniques in teaching writing. New York: Oxford
University Press.
Games, Games, Games ( a Woodcraft Folk handbook sold in Oxfam shops in UK)
Berer, Marge and Frank, Christine and Rinvolucri, Mario. Challenge to
think. Oxford University Press, 1982.
Internet Key
http://search.atomz.com/
http://e.usia.gov/forum/vols/vol36/no1/p20.htm-games
http://e.usia.gov/forum/vols/vol34/no2/p22.htm-note-taking
-----------------------
This activity is particularly suitable for young learners
You can adapt this by preparing your own question sets for different
interrogative structures
This activity also works well with: present perfect+yet, like doing, like
having done, and modals
This activity can be adapted for use with all levels
This activity provides good skills practice in scan reading a dictionary
YOU CAN USE THIS IDEA TO PRACTICE A VARIETY OF DIFFERENT STRUCTURES-SEE
VARIATIONS BELLOW FOR SOME EXAMPLES
Mommy, where did I come from?
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Ñòðàíèöû: 1, 2, 3, 4, 5
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